The New Deal (Re)Turns 75
Ennis Carter, Founder & Director

Knowing your history is important. In our fast-paced lives these days we find ourselves constantly looking forward - moving speedily to the next opportunity and rarely taking the time to reflect on the past. But the work of the people who came before us and the lessons we can learn from them can help us overcome challenges and make our own impact even more defined and effective.
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FEATURED IN THE NATION
Founder and director Ennis Carter has teamed up with The Nation magazine for their Special Anniversary Issue The New Deal (re)Turns 75. Her title, design and illustration work appears on the cover and throughout the issue, alongside contributions by Frances Moore Lappé, Rev. Jesse Jackson, Bill McKibben, Howard Zinn, and more. Issues hit the newsstands next week; get a sneak peek of the cover at The Nation online.

Ennis also joined other New Deal experts to talk with Laura Flanders on RadioNation - a program aired on Air America, NPR affiliates nationwide, and on The Nation.com. Listen to her segment about political propaganda and the Posters of the WPA!

COMING THIS FALL!
The whole team at Design for Social Impact and The Social Arts has been helping Ennis pull together a new book called Posters for the People: Art of the WPA, coming out this October through QuirkBooks. Find out more about the book here!

MARK YOUR CALENDAR FOR OCTOBER 24!
Join us October 24-26 for the weekend-long Posters for the People Expo and Festival. This will be the official launch of the WPA Living Archive and home to a series of participatory, entertaining and truly public events. We'll highlight workshops, tours, panels, exhibitions, local artists, speakers, murals and more.
  At Your Best When You're At Your Worst
By Melinda Essig, designer

I began to think of possible answers to a time when I was at my best. When I helped a woman carrying bags in the subway, when I finished a design project that turned out just right, or when I was camping in the desert alone and felt in complete sync with the world. Was it a time I did something good for someone else that I could be proud of? Was it a feeling of personal achievement? Or was a feeling of connection? None of these seemed quite right; no matter how many bags that woman was carrying.
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  From Paint to Print!
The Philadelphia Mural Arts Program recently wrapped-up My North Philly, a 3-year project exploring the stories of residents in four North Philadelphia neighborhoods. Through interviews and photographs the Mural Arts team created seven amazing new murals, adding to the over 2,700 murals already done by Mural Arts in Philadelphia. Read More.
  A Well Designed Plan
A good design begins with a good plan. All design projects are built on a strong foundation, which include the Letter of Agreement, Message Brief and Creative Brief. Keep these documents close because these are where most of your questions will be answered.
  Tesha Kelley, Bookkeeper

We'd like to introduce you to the voice you may have heard on the phone. Tesha Kelley is our resident bookkeeping expert, and thanks to her, we can balance all the challenges of cash flow and make sure we get our bills paid on time! As a part-time consultant, Tesha provides expertise from her own woman-owned company JIREH Consulting. To find out more about her dedication to helping clients "eliminate stress of accounting and record keeping" (who couldn't use more of that?!) you can contact Tesha at tesha.kelley@jirehconsulting.biz


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The New Deal (Re)Turns 75 (continued)
This year marks the 75th Anniversary of Franklin Roosevelt's New Deal presidency - and the time couldn't be better to reflect upon and celebrate the ideals of that effort. For those of us devoted to working for the public interest, the New Deal approach to fixing a country in the wake of a disastrous economic Great Depression feels so familiar and so important. Of course, the FDR Administration created programs and policies, but what is important about the New Deal is that it conveyed and emphasized a belief that America was a place of hope and that its people could pull together to fix just about any problem facing them.

In the past few issues of The Griot, I have shared my hope that our movement would use more inclusive and positive messages and images to get our issues out to the public and encourage their involvement. That importance was also felt during the New Deal era from the speeches of the President to the works programs that helped employ one-third of our country out of work at the time.

But, what is most important for us at Design for Social Impact is that we are part of a lineage of artists who put our craft to work to help perpetuate a positive social agenda. The New Deal's Federal Art Project employed writers, actors, painters, sculptors - and most notably graphic designers - to help enhance the quality of life for citizens and tell the story of the social programs of the government. Artists were valued just as much as bridge builders, tree planters, factory workers, and government agency employees - and the government's support of the arts as a key message-maker was never as high before or since the New Deal.

To celebrate this anniversary, Design for Social Impact will be creating and hosting many special events and projects over the course of 2008. This fall we'll launch the WPA Living Archive and publish the book Posters for the People with QuirkBooks - both part of the effort to document the incredible posters that were made under the New Deal project but never fully catalogued by the federal government. Read more in this issue of The Griot about our involvement with the latest special New Deal issue of The Nation and their radio show RadioNation. And, finally, keep watch for announcements about our Expo Festival the weekend of October 24th, where we'll celebrate the many programs of the New Deal through an interactive, fun and educational series of events and happenings that highlight the story the posters have to tell.

Of course, the best way we can celebrate is to keep the legacy alive. We are proud to be part of the history of the artists of the New Deal and we reaffirm our commitment to carrying out our work as skilled craftspeople devoted to telling the best possible story about the most important subject: a positive and hopeful America for all its people.

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At Your Best When You're At Your Worst (continued)

So if it's not doing good, being good or feeling good I had no idea what it could be. Having a particularly draining week, I realized I was angry with anyone that would get in my way on the sidewalk. For some reason I thought I had the right of way, and deserved it. And there was no way I was going to take one second out of my sidewalk rage to help any woman with bags. These are the times I realized when I'm at my best, or at least have the opportunity to be.

It's easy to feel my best when I'm doing meaningful things and not in a strained state of mind. Of course I feel at my best when there's something there to tell me so, a compliment, an achievement. What really counts is when I can pull myself out of those bad places and do the good things, even if they're smaller. I think it's these moments where our greatest displays of strength can happen and where we may just be at our best.

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From Paint to Print! (continued)

As part of the My North Philly project culmination Design for Social Impact worked with the Mural Arts team of ethnographers, artists, photographers and project managers to design a book that would celebrate the vibrant voices and compelling lives of those who call North Philly home.

The 140-page book, titled "My North Philly: Neighborhoods. Murals. Stories." is a woven tapestry of personal interviews, photographs and murals that capture the essence of this unique area of Philadelphia.

This book is not to be missed. Purchase your copy at www.muralarts.org

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